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The scenes in Part 2 with Justice Shallow in his Gloucestershire orchard are the closest that Shakespeare ever came to a stage representation of the rural England of his own early life in Stratford-upon-Avon.
The success of these revivals is a reminder that such works were written for the stage and, it is often argued, can be given full expression only by stage representation.
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Johnson's methodology renders power to his narrators as his stage representations of them underscore that their lives and stories matter.
By using his own persona as one of the ten characters he performs, and by superimposing the autobiography of his performing self onto the fictive biography of King Lear, Wu lays bare the tripartite composition of stage representations of characters, from the self, to the actor's persona onstage, to the character's psyche.
The case continued to attract public interest decades after his death, with fictional and stage representations.
During the sensory processing stage, representations of perceptual features or semantic information are activated.
A discrete reaction model of sooting combustion is proposed on the grounds of multi-stage representation of oxidation chemistry.
The atmospheric forcing is divided into storm and interstorm periods, and both evaporation and infiltration phenomena are described with the well-known three stages representation: one at potential (energy- or rainfall-limited) rate, one at a rate set by the soil water content and one at a zero rate if the water content reaches one of its range limits, namely saturation or residual values.
Off-stage representations of the 'real' person or human being behind the role, were generally avoided as stage artists were considered persons of loose morals and any risk of a portraitist becoming openly associated with this crowd, could estrange the upper-crust London patrons, far more conservative than their libertine Parisian counterparts.
Among these three stages, the face representation stage has been identified as a fundamental component in face recognition that is necessary for minimizing intra-subject variations as well as increasing inter-subject discrimination margin [10 12].
We saw a combination of the action on the stage, a representation of the music itself, and a combination of both.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com