Further artistic variances can be attributed to cultural time lag, for comparable stages of artistic development were not reached simultaneously throughout the area.
Sets by James Leonard Joy; costumes by Debra Bauer; lighting by Michael Gilliam; sound by Kurt Eric Fischer; production stage manager, Jay Adler; associate artistic director, Scott Ellis; director of artistic development, Jim Carnahan; general management, Jason P. McLaughlin and Catharine Guiher.
JUNO AND THE PAYCOCK By Sean O'Casey; directed by John Crowley; set and costumes by Rae Smith; lighting by Brian MacDevitt; original music and sound by Donald DiNicola; dialect coach, Stephen Gabis; production stage manager, Jay Adler; associate artistic director, Scott Ellis; director of artistic development, Jim Carnahan; general management, Jason P. McLaughlin and Catharine Guiher.
Shining City By Conor McPherson; directed by Robert Falls; sets by Santo Loquasto; costumes by Kaye Voyce; lighting by Christopher Akerlind; sound by Obadiah Eaves; dialect coach, Deborah Hecht; production stage manager, Barclay Stiff; production manager, Ryan McMahon; general manager, Florie Seery; director of artistic development, Paige Evans; director of artistic production, Michael Bush.
THE MAN WHO CAME TO DINNER By Moss Hart and George S. Kaufman; directed by Jerry Zaks; sets by Tony Walton; costumes by William Ivey Long; lighting by Paul Gallo; sound by Peter Fitzgerald; hair and wig designer, Paul Huntley; production stage manager, Andrea J. Testani; technical supervision by Unitech, associate artistic director, Scott Ellis; director of artistic development, Jim Carnahan.
REGRETS ONLY By Paul Rudnick; directed by Christopher Ashley; sets by Michael Yeargan; costumes by William Ivey Long; lighting by Natasha Katz; sound by John Gromada; production stage manager, Martha Donaldson; director of artistic operations, Mandy Greenfield; production manager, Ryan McMahon; general manager, Florie Seery; director of artistic development, Paige Evans.
BLACKBIRD By David Harrower; directed by Joe Mantello; sets by Scott Pask; costumes by Laura Bauer; lighting by Paul Gallo; sound by Darron L West; fight director, J. David Brimmer; production stage manager, Jill Cordle; director of artistic operations, Mandy Greenfield; production manager, Ryan McMahon; general manager, Florie Seery; director of artistic development, Paige Evans.
"And I was thinking in terms of artistic development, not the business aspect of it.
Little is known of Castagno's early life, and it is also difficult to ascertain the stages of his artistic development owing to the loss of many of his paintings and to the scarcity of documents regarding his extant works.
I would like to discuss each film more fully in terms of the artistic development of the filmmakers.
