Sentence examples for stage language from inspiring English sources

The words shape the plays, the characters, the scenes; and the choice of words was made by someone who understood how, on a bare stage, language shapes encounters and encounters shape actions to bring new worlds to life.

It's awfully effective stage language, an eloquently wordless lament that for most of the world -- for Americans in particular -- the Palestinians are living and dying only in the newspapers.

The successful playwrights of the 1910s and 1920s, such as Okamoto Kidō, wrote works that, although the products of a modern mind, preserved the traditional stage language and historical themes.

Rachel Dickstein, the show's inventor and the founder of the company Ripe Time, has developed a distinctive stage language, simple yet effective, overlapping words with movement, poetic image with sound (the score is by the jazz pianist and composer Vijay Iyer).

Thirty years ago the Glasgow Citizens produced two wonderful shows by Robert David MacDonald about Sadean induction into libertinage and philosophical argument in a castle of torture that reverted to de Sade himself (with a bit of Marivaux thrown in) and illuminated his treatises of freedom and corruption in a brilliant punk Gothic stage language of the day.

The WET consists of 13 subtests and a parent questionnaire, covering 6 functional areas of development (visual, motor, learning/memory, cognitive stage, language, and socio-emotional developmen).

Using such attestations, Diakonoff classified Afro-Asiatic languages into Ancient, Middle, and Late Stage languages according to the extent to which they retained features of the ancestral protolanguage.

This paper discusses some issues we faced when applying multi-stage language design concepts to an imperative base language and run-time environment.

This is a tremendous opportunity for multi-stage languages in general, and for MetaOCaml in particular.

We argue that multi-stage languages are useful as programming languages in their own right, that they supply a sound basis for high-level program generation technology, and that they should support features that make it possible for programmers to write staged computations without significantly changing their normal programming style.

When the women are on stage, the language changes again.