Meanwhile, Mr. Escalante and Ms. Garcia, their bodies shaking as they pace the stage, call out staccato syllables ("Yup!") as if answering his invitations to bid.
Beyoncé needs no distractions from her singing, which can be airy or brassy, tearful or vicious, rapid-fire with staccato syllables or sustained in curlicued melismas.
There are segments for which he spurns a backing track and demonstrates a breathless flow that sends staccato syllables crashing relentlessly into one another.
Jon Pareles of The New York Times praised the performance, stating: "Beyoncé needs no distractions from her singing, which can be airy or brassy, tearful or vicious, rapid-fire with staccato syllables or sustained in curlicued melismas.
Jon Pareles of The New York Times complimented the performance, stating: "Beyoncé needs no distractions from her singing, which can be airy or brassy, tearful or vicious, rapid-fire with staccato syllables or sustained in curlicued melismas.
Jon Pareles of The New York Times praised the performance, writing that Knowles "needs no distractions from her singing, which can be airy or brassy, tearful or vicious, rapid-fire with staccato syllables or sustained in curlicued melismas.
Jon Pareles of The New York Times praised her performance, stating: "Beyoncé needs no distractions from her singing, which can be airy or brassy, tearful or vicious, rapid-fire with staccato syllables or sustained in curlicued melismas.
While reviewing Knowles' performance at the Madison Square Garden in Manhattan, on August 5, 2007, Jon Pareles of The New York Times wrote, "Beyoncé needs no distractions from her singing, which can be airy or brassy, tearful or vicious, rapid-fire with staccato syllables or sustained in curlicued melismas.
So Shostakovich figures respectfully in these stories as Dmitri Dmitriyevich, or, in Mr. Rostropovich's distinctive pronunciation, "Meet Meech," with a sharp staccato attack on each syllable.
As a secondary task participants performed a concurrent articulatory loading task by repeating the non-sense syllable string "pataka" in a staccato fashion at a rate of approximately three syllables per second.
While his band played folk-rock, he chanted "Boots of Spanish Leather" in staccato bursts of one note, cramming in syllables before the chord change, and he rattled off verses of "Tangled Up in Blue" like an elocution test, clear and perfunctory.
