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Stevenson (1957) reached for a type/token distinction in an attempt to disambiguate the intuitively appealing idea that a poem is a written or spoken sequence of words.
RTs to monitor for the target word in each spoken sequence were measured from target word onset.
This study showed that spoken nonwords could be recognized as nonwords as soon as the spoken sequence deviated from a real word, at the so-called "nonword point".
The second additional measure of syntactic performance, also obtained from patients in a separate testing session, was a word-monitoring task in which patients pressed a response key when they heard a pre-specified target word in a spoken sequence.
Using triple-rhythms and double-tracked vocals, the song includes a noise resembling someone slapping a microphone and a spoken sequence which fades away in the end.
The songs use triple-rhythms and double-tracked vocals and includes a noise resembling someone slapping a microphone and a spoken sequence which fades away in the end.
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In the case of spoken sequences, a warning "ready" was spoken 4 seconds before each new vignette, and 10 seconds were allowed for interpretation selection following each scenario.
Participants monitored for target words, which occurred either early or late in the spoken sequences, matched across the 3 types of stimuli.
The second aim of the fMRI component is to investigate the neural substrates of competition and selection processes in accessing spoken sequences by manipulating the size of the initial cohort and the cohort drop-out rate.
Participants were asked to press a response key when they heard a prespecified target word occurring in different kinds of spoken sequences which differentially load on syntactic or semantic information (see Supplementary material for details).
The spoken sequences differentially loaded on syntax and semantics, providing a measure of each patient's ability to conduct successful on-line sentential syntactic and semantic analyses (Marslen-Wilson and Tyler, 1980; Tyler et al., 2010 b ).
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com