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In Chapter 4, Kazuyoshi Iwamoto further explores the role of pitch levels in the realization of paraphone boundaries, that is, the boundaries of a spoken paragraph.
The chapter begins with a useful literature review of both written and spoken paragraphs, with an effort to contextualize previous descriptions of a spoken paragraph within the SFL framework.
"She will quote a Shakespeare sonnet and a remark of Muhammad Ali's ('Knock me down, and I will get up immediately') in the same spoken paragraph".
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Daylight sentences detach themselves from spoken paragraphs and reassemble themselves behind my eyes like a box of sleepy kittens.
All around me, stares spoke paragraphs of blame: there must have been parental neglect, passing of some corrupted genes, perhaps even purchasing toys with the wrong themes.
But the best part was the ad-libbed line at the end of the first paragraph, spoken directly to the stony-faced Republicans in the chamber.
He speaks in paragraphs and with moments of revision.
He speaks in paragraphs, and his pace is intense.
Miyamoto spoke in paragraphs, with Minagawa taking notes on sheets of paper, which he tossed aside as we went.
Other candidates talk in applause lines, while O'Rourke speaks in paragraphs, with lots of asides and emphasis and aphorisms.
"Don't get the idea she's speaking in paragraphs, but she definitely understands what we're saying and she's verbalizing".
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com