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He spoke of the structure of the music, and of the band, as metaphors for a society in which many small parts contributed to a larger whole, rather than one characterized by individualism.
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For definiteness, when we speak of the "structure theory" (at a given level) we shall be referring to the regularity properties introduced above the perfect set property, and the property of Baire, and Lebesgue measurability along with the uniformization property.
Karl Marx used construction as a metaphor when he spoke of "the economic structure [Struktur] of society, the real basis on which is erected a legal and political superstructure [Überbau] and to which definite forms of social consciousness correspond".
Similarly, but from a very different theoretical background, Michel Foucault's highly influential analysis presupposes that power is a kind of power-over; and he puts it, "if we speak of the structures or the mechanisms of power, it is only insofar as we suppose that certain persons exercise power over others" (1983, 217).
These attributes, integrated as a whole, speak of the value structure that the individual claims and integrates into his existence.
Mr. Ginter spoke of the use of cast iron in architectural structures.
Michael Clarke, his counterpart at Rusi (the Royal United Services Institute) in Whitehall, speaks of the "slightly eccentric force structure" that is emerging.
Western scholars of the East have for this reason spoken of the "molecular," or "atomic," structure both of classical Arabic literature and of traditional Islamic thought.
The dark and empty square in the center of the structures speaks of the fragility of life, not just of the lives lost on that day but of all lives.
Weiner spoke about the structure of the episode in June 2012: He spoke about the writing of a scene of the episode in August 2012: Weiner characterized Roger's acid trip as an experience of "complete honesty" and an "experience of empathy, something he's probably never experienced in his life.
Their meaning is also given in their sheer sensory impact: through their monumental scale and controlled use of light, and through the interplay between the solidity of stone and the diaphanous qualities of glass, these structures can speak of the sacred by inducing a response of hushed wonderment.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com