Writers describing the formative years of a career have spoken of character formation as a case of "throwing" their voice, frequently tasking characters with voicing what they, the author, do not feel able to express.
Sure, the old train stations speak of grandeur and arrival, but old schools speak of character and permanence.
You speak of characters of mine who "have often been up to their necks in the thick, messy complications of 'the real.'" Well, Zuckerman is one of them.
You speak of characters of mine who 'have often been up to their necks in the thick, messy complications of "the real"'.
Eris Nezha, the dancer playing the pirate Birbanto, spoke of his character's courageous attributes.
Richards spoke of the character of April, saying that "the residential schools and children's homes were completely different from my life.
Chin Han as Sun Feng Han spoke of his character's development: "He starts off as a button-down, serious... government official, and then as the movie progresses... you find out a different side of him and his secret agenda".
In trying to persuade Lewis to take the role, Koppelman and Levien spoke of the characters' conflict in grand terms, as a "huge King Lear, Shakespeare kind of battle," but the show acknowledges more parochial clashes.
She sat and knitted for a while, as Ray spoke of his characters and their various plights.
To his mother and her sisters, the book was almost a second Bible, and they spoke of its characters with fear and respect.
