Sentence examples for split notes from inspiring English sources

His early sound was a mix of Parker phrases, a blues shouter's rawness and a sax-beginner's assortment of honks, squeaks and split notes, played in an apparently random relationship to the chords of the underlying tune.

Evan Parker 50th Birthday Concert (1994) The UK's globally acclaimed Evan Parker has invented a unique sax language, using split notes, non-chromatic lines, birdsong- and violin-like sounds, mimicry of electronic noise and more.

Conductors may look like they have an easier ride, not having to master any fiendish passages of finger-work like the violinists, say, or risk the exposure and split notes of the wind and brass players.

Use the same methods that are used for eighth note (quaver) time signatures, but split notes according to the type of note specified in the bottom number.

Highest praise goes to the orchestral brass, with never a split note between them.

Variety, which reported the split, noted that Disney's Pixar entries had won 6 of the last 10 top Annie prizes.

Rilwanu Lukman, secretary general of OPEC, tried to put the best possible face on today's split, noting that countries have on occasion dissented from the organization's decisions before.

There are recommended compositions of operators; for example, it is useful to apply a windowing function to each frame after a Split: Note that this heuristics can be generalized to any operator which does not alter the type of its input (usually a signal, "t:a").

If not possible to do the split, note the time under the activity on which he/she spends most of the time.

Saxophonist Coltrane was already developing split-note multiphonic effects for the tenor saxophone, and some of Rollins's hoarse, braying sounds also suggested a distant relative of the bagpipes.

The saxophonist's jazz partners soon burst in, with drummer Anton Eger driving a frenetic dance of spiralling orchestral motifs peppered with crash stops and glowering pauses, and a bass and bassoon hook that spurred a tenor-sax improvisation of darting long lines and hoarse split-note sounds.