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In this peerless early 14th-century description of life after death, the final one of the concentric spheres of hell is presided over by the devil.
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Canto by canto, as Virgil and then Beatrice lead the benighted Dante through "circles of Hell, terraces of Purgatory, spheres of Paradise," so the clear-eyed Guy P. Raffa, a classics professor at the University of Texas at Austin who conceived and developed the site, leads students in Dante's steps, urging them to click on regions within each realm.
With this new guide to the entire Divine Comedy, Raffa provides readers—experts in the Middle Ages and Renaissance, Dante neophytes, and everyone in between with a map of the entire poem, from the lowest circle of Hell to the highest sphere of Paradise.
No matter how wild the zigzags of logic or the lampoon of conventional storytelling — what she called her "anti-money shots" — the audience was right with Ruhl's flights of goofy fancy: a cell-phone ballet set to the chattering gab of the spheres, a rendezvous with Gordon on his rung of Hell, a redemptive finale.
Satan flies out of hell.
A vision of hell..
His idea of hell?
Bat Out of Hell.
Bat Out of Hell, Directed by Jay Scheib.
A kind of hell.
We are children of hell.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com