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Then on strode Dmitry Sitkovetsky to turn Tchaikovsky's violin concerto into vivid performance art, that wistful slow movement a brief interlude in a staggering display of prodigious showmanship, including nods, winks and muttered as much as musical exchanges with the orchestra, as he bobbed and weaved his spellbinding way through far the most memorable of the many live versions I have heard.
The detail was spellbinding.
"Spellbinding" was another verdict.
But she's spellbinding.
The process is spellbinding.
And those spellbinding images.
The juxtaposition was spellbinding.
The animation is spellbinding.
The results were spellbinding.
She's spellbinding.
It was spellbinding.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com