Sentence examples for spectator upon from inspiring English sources

Exact(1)

In South America, where soccer is sometimes claimed to be a reason for living, the last mass killing because of a stampede of spectator upon spectator was Guatemala City in 1996, when 84 died at a World Cup game.

Similar(58)

The hiatus, partly occasioned to offset the possible effects of the perspiration of 15,000 spectators upon the grass, took place with Safina leading 4 1 in the second set and making her way boldly back into a match on a surface on which she has often suggested she cannot play.

In imaginatively conjuring this scene the spectator draws upon a wealth of experience, which is brought to mind and, as it were, condensed for him into the imaginative perception of the play.

The series often try to address the subject of female liberation and (body) representation, meaning they are not stylized images designed to appeal to the implied male spectator projected upon us by advertisement and mainstream media.

Beijing and Istanbul are interesting venues, but the most powerful is the ancient amphitheater in Epidaurus, Greece, the cradle of theater, where Julius Caesar sat in the seats as a spectator once upon a time.

Spectators gaze upon players' bodies for "hours on end".

Many of the ground-floor seats are actually tatami mats the spectators sit upon, cross-legged.

Coachella becomes relevant on Fuller House when Stephanie, who is attending the festival as a spectator, is called upon to spin an impromptu set on Coachella's main stage due to the injury of the headliner DJ Unbreakable who was set to perform at 6 pm for some reason.

Barzeen Soroudi, 25, and Sam Sotoodeh, 59, were charged with interfering with the Sept. 12 performance and leaving a spectator area and entering upon a stage, according to the Los Angeles city attorney's office.

The spectator or reader is called upon to effectuate the same original mode of being-in-the-world: "If he is a writer, that is, if he knows how to find the ellipses, elisions and caesuras of conduct, the reader will respond to his appeal and meet him at the centre of the imaginary world he animates and rules" (Merleau-Ponty 1964b, 89).

Hunt, in a fuller review in The Examiner, applauded not only the author's enthusiasm "but the very striking susceptibility with which he changes his own humour and manner according to the nature of the play he comes upon; like a spectator in a theatre, who accompanies the turns of the actor's face with his own".

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