Sentence examples for spectacle based on from inspiring English sources
Now it's a dance-off between the sciences, including a tango based on robot collision avoidance, an acrobatic spectacle based on soil ecology, and, in one of the most meta Ph.D. dances ever, a hip-hop dance about the anthropology of hip-hop.
Cirque Du Soleil: Worlds Away Fantastical acrobatic spectacle, based on the French circus production.
The Christmas parade is a terrific spectacle based on the Nutcracker theme with huge floats and dancers in amazing costumes making their way up Main Street.
On October 16th, the Brooklyn Academy of Music will be presenting the American premiere of "The Predators' Ball," a two-and-a-half-hour spectacle based on the life of Michael Milken, the disgraced junk-bond king and archetypical figure of the age of excess.
The epic story of Taiwan's post-World War II martial rule requires an epic medium, which Storynest director Hsin-Chien Huang delivers with an interactive projection-mapped spectacle based on his memories and state-sanctioned history archives of the early Kuomintang regime.
In October 2012, after the baseline survey and vision screening but before refraction, eligible children were randomized by school to receive one of three interventions: Free spectacles, based on the child's measured refractive power and dispensed at school by the study optometrist.
The prototype for the electronic spectacles is based on a Motorola patent for eyeglasses in which a voltage is applied across the material to change the refractive index.
And it has given us a flood of well-schooled pictures, ingenious sculptures, fastidious photographs and carefully staged spectacles, each based on the same basic elements: a single idea, embedded in the work and expounded in an artist's statement, and a look or style geared to be as catchy as the hook in a rock song.
Where required, spectacles were prescribed based on standard guidelines 14 adopted by the hospital eye department.
The mayor's theatrical prosecutorial spectacle this time was based on photographs he took from a helicopter.
Similarly, Tom Gunning has argued that to fault Méliès for not inventing a more intimate and cinematic storytelling style is to misunderstand the purpose of his films; in Gunning's view, the first decade of film history may be considered a "cinema of attractions," in which filmmakers experimented with a presentational style based on spectacle and direct address rather than on intricate editing.
