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The total number of specimens was 84.
Fractography analysis of broken specimens was performed.
Micro-hardness of the specimens was tested.
Elongation of the specimens was also measured.
There, in an uncatalogued drawer of oological specimens, was a label that caught his eye.
The architect of these open-crowned specimens was most likely the tiny ash bud moth.
One Italian collection of natural specimens was called a museo naturale.
Formation of cracks in specimens was similar to each other.
In the second stage, another 500 specimens was tested.
Prior testing half of the specimens was charged with hydrogen.
The weight reduction of the foamed specimens was about 15%.
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