Sentence examples for source of dance from inspiring English sources

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First in Cambodia, then in turn in Thailand, Laos, and Burma, the epic Ramayana became the source of dance and shadow plays.

He maneuvered a baggage cart by gripping it at the waist and staring over its handles, as if toward some distant source of dance music.

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The only dependable sources of dance on television today are advertisements and "Ally McBeal".

The shifts between past and present are real as Ms. Soto starts out like a child playing records on a phonograph and then imagines herself on a beach in bathing-beauty poses, beseeching a mirror on the wall to find the "source," presumably of dance or art.

Briefly, then: Orion Duckstein is a heartthrob across the repertory and often heart-catching in the timing of his jumps; Robert Kleinendorst cracked me up as the fop in "Le Grand Puppetier"; and Annmaria Mazzini — though she mugged the most — is always a source of rich dance tone and lyrical exuberance.

Classical ballet is clearly the source of their dance-language, but where ballet presents a series of formal photographic moments, Forsythe gives us something much more organic.

Dancers and theorists who find the source of expression in dance to lie in the dance performer include Isadora Duncan and Martha Graham (see Cohen 1992 and Daly 1994).

To make the most money, try not to drink or do drugs at work, they will hinder your ability to keep track of who has tipped you the most and who might be possible sources of private dance income.

In parts of Europe they are still shunned as disruptive outsiders or patronised as little more than an exotic source of music and dance, but Gypsies have ancient roots that stretch back more than a millennium, scientists have proved.

By the age of 40, Khachaturian had also written the popular ballet "Gayane" (the source of the "Saber Dance"), a number of chamber pieces and patriotic songs, and two dozen scores of incidental and film music, including his best known, for the Lermontov drama "Masquerade".

Fraleigh, following Michel Fokine, finds the source of expression in dance to lie in the human body (see 1996, 71).

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