We have a bias toward things that are familiar and especially to those things that were familiar when life was new: the old house, the old hometown, the people, smells and sounds we knew when we were young.
Jim, the more innovative, has his own sound (we know this because he says, "I've got my own sound"), but Bill Joshua Boonee), the more traditional, gets ahead faster.
We're glad he's a New Yorker now: his sound is a funky take on the acoustic singer-songwriter sound we know and love.
We have an innate sense of how the piece should sound, we know how to make it sound natural, and we're ready at the drop of the hat to jump in and do that if the conductor loses control.
Roy Davis Jr is all that's good about what garage music is, and especially where it came from: I think he's a true and very early instigator of the sound we know as garage, and this track was instrumental in allowing the sound to develop and stem off from its roots in house music.
If we can hear the original sound, we know that through it we can make sense of the mysteries that underpin human life.
Because our remote recording equipment was sensitive to both audible and ultrasonic sound, we know equipment generated noise was minimal and not sufficient to trigger our system.
That all sounds terrible, we know.
"But it was a positive thing, too, bad as that sounds, because we know the helmets work.
