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"I know it's not going to be shit because we've played together and it sounds magic".
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The box-like set by Bunny Christie is enlivened with video projections (a welter of computer screen graphics designed by Finn Ross); blips, beeps and poetic clangs (the sound magic of Ian Dickinson for Autograph); and lighting effects that can become blinding in moments of crisis (the artistry of Paule Constable).
Sound-Magic's Death Ray Destroys The Vortex And Has Union With Infinity revisits and repaints the neon-lit underpasses of Kraftwerk and Neu!, while the title track, with its irregular, perverted, wavering synths recalls and elaborates on DAF and forgotten 80s Berlin electropop legends Liaisons Dangereuses.
Well, that sounds pretty magic.
While this sounds like magic, it is done all the time.
If this sounds like magic to you, consider the physics of propagating seismic waves.
Even now, years after that idea became a real product, it almost sounds like magic.
It sounds like magic, or science fiction — providing clean, free energy from the air in an era when cost and pollution are political hot potatoes.
"It sounds like magic or something corny but really the determinant, instead of talking about 'staying in character' should be focus, determination and commitment; staying in a place that's close, concentrating on things that need to be attended to.
Sounds like magic, I know.
It sounds like magic: long-lived radioactive waste made harmless by a laser beam.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com