Sentence examples similar to sounds his work from inspiring English sources

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By intertwining digital and acoustic sound, his work asks questions about what constitutes classical composition and live sound in an era that seems to prize instantly available digital recordings above all else.

I've got a bit obsessed, I supposed...I don't want to use preprogrammed drum sounds.' His work has always been unconventional, and his lesser-known early work was incredibly advanced". AN. AN

Bird sounded his horn but Mr Carey, having worked a night shift, was in bed and did not answer.

"Table's Clear" has some rude bodily sounds his sons worked in, along with the fleeting spoken line that the noises will cause the National Endowment for the Arts to take away his grants.

David Lynch put a great emphasis on sound in his work, and Oscar-winning sound designer Gary Rydstrom took his brief from Steven Spielberg, to create the authenticity of a battle arena for the war movie Saving Private Ryan, so seriously that he not only sourced all the original weapons but even recorded the sound of their bullets penetrating animal flesh.

(Ross rarely bothers to speed up his beats or invest in productions that vary from the brushed-steel and superhero sounds that exemplify his work).

While Crane sometimes sounds like Rimbaud, his work owes less to the French Symbolists — whom he could not read fluently — than to the amplified rhetoric of the Elizabethans, especially Christopher Marlowe.

He sounds confident that his work will continue to have an impact - and reminds the BBC reporter on the phone that Mr Omidyar is one of the "richest men in the world".

Mr. P?, who has described his music as "a frame for silence," has tried to reduce the amount of sound in his work to what is essential.

In an interview with David Ritz for "Divided Soul: The Life of Marvin Gaye Da Capopo, 1991), Mr. Whitfield recalled the deep influence of the new, hard-driving funk of Sly Stone, and how he tried to bring something of Mr. Stone's sound to his work at Motown.

Essick also analyzes "Times-Square", stating that the language and rhythm used by the poem's subject, especially the repetitive onomatopoeia ("pow pow") that punctuates the end of each line, parallels the sound of his work.

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