This was a sound speech, as far as it went.
All elements of the theatre of movement, including film, sound, speech, electronic music, must be mobilized into one great time-space structure, whose arrangement will be constituted by music as the most general form of temporal order.
The air is full of cacophonous sound, speech that is recorded and spoken live and a red shimmer, both from the light and from the fatigues worn by the dancers.
One has been defined by a 20th-century German composer, Bernd Alois Zimmermann: All elements of the theatre of movement, including film, sound, speech, electronic music, must be mobilized into one great time-space structure, whose arrangement will be constituted by music as the most general form of temporal order.
A prodigiously researched history that is neither top-down nor bottom-up but cross-sectional: shunning traditional chronology and players (aristocrats are scarce), Ackroyd instead offers a London defined by a set of recurring motifs -- smell, sound, speech, fog, fire, ghosts and plague are some of the more significant.
A prodigiously researched history that is neither top-down nor bottom-up but cross-sectional: shunning traditional chronology and players (aristocrats are scarce), Ackroyd instead offers a London defined by a set of recurring motifs -- smell, sound, speech, fog, fire, ghosts and plague are a few of them.
Like other sounds, speech sounds can be divided into two major classes those that have periodic wave forms (i.e., regular fluctuations in air pressure) and those that do not.
The first annotation pass segmented the recordings with respect to background sounds (speech, music, noise, or none), channel conditions (studio, telephone, outside, and none), speakers, and speaking modes.
However, the knowledge base still lags far behind that of the other major classes of naturally occurring everyday sounds, speech, and music.
In the 1940s, French composer Pierre Schaeffer invented musique concrète by stitching together field recordings of trains and found-sound speech with more traditionally "musical" passages.
Depending on modality, language structure can be based on systems of sounds (speech), gestures (sign languages), or graphic or tactile symbols (writing).
