"sound separation" is a correct and usable phrase in written English.
It can be used to refer to the process or act of separating sounds, whether in a physical or figurative sense. For example, it could refer to the physical separation of different audio channels or tracks in a recording, or the separation of distinct sounds in a noisy environment. Example: "The sound engineer did an excellent job with the sound separation in the film, making the dialogue stand out from the background music and sound effects."
Ono et al. [1],[2] used Harmonic/Percussive Sound Separation (HPSS) to separate harmonic and percussive sounds by exploiting the anisotropy of harmonic and percussive sounds in a maximum a posteriori (MAP) framework.
A sound separation barrier will be installed below the seats to prevent extraneous noises from interfering with the television broadcasts.
In contrast, frame-based schemes achieve sound separation without building 'rich' intermediate representations of the acoustic signal.
Musical pitch estimation is used to find musical note pitch or the fundamental frequency (F0) of audio signal which can be applied to a pre-processing part of many applications such as sound separation, musical note transcription, etc.
It sounds good, but there is no sound separation.
Pitch detection is another key stage for sound separation.
This paper focuses on a particular case of sound source separation called solo and accompaniment separation, also referred to as lead or main instrument separation or de-soloing.
describes a novel approach to sound source separation, which achieves better signal separation performance by combining complementary techniques.
We describe our sound source separation method which can separate complex audio signals with both harmonic and inharmonic sounds in this section.
On May 10 , 2010through their official MySpace blog, Underoath announced that they will be entering the studio on May 24 to record their follow up to Lost In the Sound of Separation, which was aimed to be released later that year, with producers Matt Goldman (Lost In the Sound of Separation and Define the Great Line) and Jeremy SH Griffith.
We take the view that robustness is achieved because the human perceptual system treats the problems of speech recognition and sound source separation as being tightly coupled.
