Sentence examples for sound representation from inspiring English sources

Then, I got my hands on a "chirp," which is the sound representation of the gravity wave produced when two black holes collide.

From 2015 to 2016 he had a post-doc position at Ecole Normale Superieure in Paris working t on mathematical models for sound representation using deep learning.

This method, previously discussed by us and applied to a determination of the nonsinglet quark distribution, is designed to provide a faithful and statistically sound representation of the uncertainty on parton distributions.

For a sound representation of sediment water column, water column atmosphere interactions and stratification due to variations in dissolved oxygen concentrations, a two-dimensional hydraulic model was employed considering dispersed flow and diffusion in horizontal and vertical directions, respectively.

From 2015 to 2016 he had a post-doc position at Ecole Normale Superieure in Paris working with Stéphane Mallat on mathematical models for sound representation using deep learning and from 2017 to 2018 he had a post-doc appointment at Haute École de Musique in Geneva working on machine learning methods for computer-assisted orchestration.

The assessment of the proposed upscaling scheme with respective experimental results indicates the improved suitability of the generalized self-consistent scheme versus the commonly employed (at least for modeling of matrix-inclusion materials) Mori Tanaka scheme, resulting in a sound representation of test data.

Finally, environmental sound representations associated to urban typologies are analyzed.

We also introduce updates to CORA in order to provide more ontologically sound representations of autonomy and of robot parts.

The major results of error analysis indicate a staged architecture for sentence generation in which meaning, syntax, and sound representations are successively integrated.

When "pig" is mispronounced as "big," the resulting /b/ sound differs from correct productions of "big," moving towards intended "pig"—revealing the role of graded sound representations in speech production.

This approach retains some of the problems related to semantic interaction with sound, such as the ambiguity of many concepts, the lack of annotations, and the difficulty to account for fake but convincing sound representations used by foley artists.