Sentence examples for sound offset from inspiring English sources

These factors can be managed to some extent through sound offset policy design that incorporates active adaptive management, time discounting, explicit accounting for uncertainty, and biodiversity banking.

The high-gamma sound offset and gap responses decreased with increasing age, and the decrease was already significant between the middle-aged and younger group for the gap stimulus with longest gap duration.

Whereas the peak latencies of the high-gamma offset responses to no-gap stimuli could be modeled with a constant delay added to the sound offset, a systematic relation of the peak latencies of the gap responses to a specific physical change in the stimulus was not as systematic.

Although further studies are necessary to explain the functional meaning of the high-gamma response we hypothesize that it is involved in evaluating the stimulus duration rather than signaling the sound offset, and/or in processing the gap rather than responding to a an abrupt change in the energy in the acoustical signal.

Indeed, neural signatures of category discrimination are present over several seconds [ 44], and the responses of auditory cortical neurons can remain informative about the stimulus for up to 500 ms after sound offset [ 44, 45].

The prominent use of two bass clarinets gives a velvety caress to the sound, offsetting and enhancing the rhythmic urgency of bongos, conga, temple blocks and marimba.

The work begins with an electronic track that paints a vivid picture of the shaman's realm, with howling sounds offset by steady percussion and a modal vocal chant.

The extraordinary Step best captures the way high-culture harpsichords can collide with heritage hip-hop references in Vampire Weekend's king-size soundbed, offset by pitch-shifted samples and piano lines.

A dialogue enhancement feature works to bring out dialogue from background sounds, offsetting a common problem with television speakers.

The guitarists are Mr. O'Malley and Michio Kurihara, the great soloist from the Japanese band Ghost, and their difference indicates the breadth of tone on this record: Mr. O'Malley's broad, bottom-end, center-of-the-earth guitar sound offsets Mr. Kurihara's trebly, pointed and occasionally screamy one.

The early part of h m (n) is referred to as early reverberation which causes spectral changes and leads to a perceptual effect referred to as coloration [32], while the late part (which is referred to as later reverberation) changes the waveform's temporal envelope as exponentially decaying tails are added at sound offsets.