The album was well received by critics such as Ryan Mattich of RPGFan, who called it "an album of epic ambition" and said that it let "these timeless melodies live on," "freed from the shackles of sound hardware limitations".
Bassist Nate Mendel added that "we grew up making records on tape, which has a certain sound, certain limitations", and drummer Taylor Hawkins said that the digital recording in contemporary rock n' roll lead to an artificial sound : "they kinda played it and then how someone else manipulated it in a computer, to make them sound a certain way".
Another reviewer, in their review of the combined album, claimed that the sound hardware limitations of the Game Boy "forces composers to create strong melodies" and that the Final Fantasy Legend soundtrack was "a perfect example of what quality Gameboy music should sound like".
While every effort was taken to ensure that the research was methodologically sound, two limitations need to be considered.
Irony, the sound of limitation, has become the culture's default position.
Large propagation delay, low bandwidth, frequent loss of connectivity, variability of sound speed, limitation on source of energy, etc. are the key challenges, which are identified as necessary issues for establishing efficient and reliable UWSN.
However, current sound absorbers have limitations in being tailored to the specific acoustic requirements of a space; these limitations mostly regard geometry and materials, and are related mainly to design and fabrication limitations.
In the same moment that pickups freed the guitar's sound from natural limitations, they also freed the guitar's physical incarnation.
Like early sound, the technical limitations of early television mandated a distanced, theatrical approach: one camera, facing the stage, recording the performance in a single take broken only occasionally by close-up insert shots.
