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Ivan Gornik We appreciate Dr Oud's sound comments to the limitations of our study [ 1]; we will try to address them all.
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Neil Ashman of Drowned in Sound commented that it "boasts a number of indelible hooks worked around its staccato synth blasts".
Sammy Maine from the website Drowned in Sound commented that the song was a "heartbreaking comment on our war-driven way of life".
Consequence of Sound commented that "rousing instrumentation elevates the vocals to soaring heights", while HitFix called the song a "majestic ballad" and a "classic James Bond theme".
John Bergstrom of PopMatters described it as "smooth, winning blue-eyed soul", and Neil Ashman of Drowned in Sound commented that its breathy vocals, piano chords and synth backing made it a "successful blend of melancholy and dancefloor-ready rhythms".
David Buchanan of Consequence of Sound commented that "Till the World Ends", "Hold It Against Me" and "Inside Out" "simultaneously send Spears back to basics vocally, and into 2011 sonically".
Betty Page from Sounds commented that the group "stretches uncomfortably out into the long playing medium like a skein of well-chewed bubblegum".
A sound recordist commented: "I've seen screen kisses before but this was the best.
The resultant sounds were commented by CI recipients as being unnaturally high pitched and unpleasant, making it more difficult for them to distinguish and identify the instruments.
"These comments sound very interesting," Wiseman tells me.
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