Sentence examples for sound branch from inspiring English sources
Along with prominent names like the director Kathryn Bigelow and the actor Tom Hanks, the board includes seasoned but less-recognized film workers like Kevin O'Connell from the sound branch, and Richard Crudo, a cinematographer.
"We've started using collaborative technology at the Academy, such as video conferencing, so that we can have meetings with film people worldwide to discuss Academy and industry matters," adds Curt Behlmer, the newly appointed senior vice president of content solutions and industry relations at Dolby Laboratories, who joined the Academy in 1984 and is on the board of governors for the sound branch.
In 2009, he suggested to the sound branch committee that it had overlooked India's Resul Pookutty, who won an Oscar that year for sound mixing on "Slumdog Millionaire".
The plant itself will be fine (just shorter) as long as there are sound branches and intact bark below the ring.
But the director, Floor Huygen, and the sound designers, Florentijn Boddendijk and Remco de Jong, conjure an active landscape using bird and night sounds, branches and twigs, water and wind.
They played a huge role in the development of the Motown sound, a branch of soul music that featured more sophisticated arrangements and orchestration than the grittier Southern soul that contemporaneously flourished at Stax Records as the Memphis Sound.
Jerry Harrison produced an album for soul singer Nona Hendryx at the Sigma Sound Studios branch in New York City; the singer and the location were later used during the recording of Remain in Light on Harrison's advice.
We cringed at the shotgun-like sound of branches snapping from the weight of the ice.
He also found new ways of translating images into sound, favoring branching patterns that he called "arborescences".
We were all advised to "please be cautious when walking near the trees and be alert to the cracking sound of branches breaking".
He also found new ways of translating images into sound, favoring branching patterns that he called "arborescences". His final works tend toward extreme density, with rough chorales that are like the rumbling of sullen mobs.
