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The ensuing investigation quickly becomes personal for Griffin and soon she's as exposed and vulnerable as the pregnant girl for whom she's searching.
The narrator declines to participate, and soon she's back at her hotel, chatting with a foul-mouthed English blonde who's itching to shake her "tall Jordanian husband covered in gold chains" and his parade of robed attendants.
Pretty soon she's going to take my job.
Kids recognize her, word spreads and soon she's beset by crowds begging for autographs.
But Sophie practices, practices, practices, and soon she's invited to audition for — what else? — "Swan Lake".
Soon she's kicking her legs both right and left as he lifts her.
Soon she's elbowed the police out of the way, and is running the investigation herself.
Soon she's revisiting the back catalogue for a final victory lap.
Soon she's up and down on "most of the majors," including Wellbutrin, Klonopin and Lamictal.
Soon she's red-hot with book deals, endorsements, panting agents, TV offers and the usual remora of dubious fame.
Soon she's going back out on stage and, as she says, 'being on stage is all I really understand'.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com