Sentence examples for song control from inspiring English sources

And when Ms. Tapia raised her voice, especially at the end of a song, control slipped.

"Helen always says you have to have control over the song; you can't let the song control you," Ms. Dretzel said.

So there was an extra edge during her Madison Square Garden show on Saturday when she shouted, at the end of her song "Control": "I'm on my own, and I'll call my own shots!" Her first tour in seven years started shakily this fall, with shows suddenly canceled or postponed.

Females do not sing and their neural song control system is reduced compared to males.

The present study was designed to provide insight into the roles of dopamine and norepinephrine in VTA and GCt and their efferent striatal target, song control region area X, in the regulation of individual differences in the motivation to sing.

These data provide evidence that females attend to and respond behaviorally to seasonal changes in male starling song, and implicate song control nuclei, HVC and lMAN, in female perception and discrimination of male song.

Abbreviations used for non-song control brain areas: ME/PIT-median eminence or pituitary; POA-preoptic area; HP-principle cells of the hippocampus; S-septal nuclei; TN-nucleus taeniae; MHYP-ventromedial hypothalamic nucleus or paraventricular nucleus.

Among the 1.3 million songs controlled by EMI are a catalog of thousands of Motown songs, and it also has deals with many current R.& B. and pop songwriters like Alicia Keys and Kanye West.

Today's court hearing, before Judge Marilyn Patel of Federal District Court, was aimed at formulating a pretrial injunction that will prevent Napster from being used to trade copyrighted songs controlled by record labels and musicians, who have sued Napster accusing it of abetting copyright infringement.

No longer do many Americans directly buy an album or song or movie -- they simply acquire the right to a library of songs controlled by Spotify or Netflix and paid for by a monthly subscription.

Between affectionate snipes, they ease into songs, controlled by the delicate crescendoes of Chazelle, who used the tempo of drumbeats to steer the rumbling "Whiplash" and tap-dancing to anchor the jazz musical "Guy and Madeline on a Park Bench".