For similar sentiments in an indie-pop song, Aztec Camera's Walk Out to Winter sparkles too.
It may also be used in musicals to substitute a more pleasing voice for that of an actor who performs a song on camera.
It is subtle and poetic, portraying the modern history of Angola through alternate interpretations of a single popular folk song, the camera meandering through cities and towns, showing people going about their lives.
When Miss Julia clutches her hands and gives a wobbly recital of "Arrayed for the Bridal" (and there is a world of sad irony in that choice of song), the camera slips away like a curious guest and climbs the empty staircase.
Now watch as these '90s kids are told the truth about the song on camera.
As she sings the hook of the song, the camera flicks to a scene where she is surrounded by windswept rose petals (top frame).
As Day put a lovely coda on the song, the cameras pulled farther and farther back while Andrés tried to reveal his prized possession.
Big Edie, by contrast, remained attached for many years to a musical accompanist (called Gould in the film) who stands in memory as a lost ideal, a lost idol, even a lost love — and her performance of songs on camera for the Maysleses has an authentic, astonishing touch of genius.
Big Edie, by contrast, remained attached for many years to a musical accompanist (called Gould in the film) who stands in memory as a lost ideal, a lost idol, even a lost love and her performance of songs on camera for the Maysleses has an authentic, astonishing touch of genius.
As the main section of the song begins, cameras zoom in on Knowles as she dances in a black and white latex leotard while holding sunglasses with hand signals on them.
