They suggest, for example, that one reason minivans, in particular, may be slow to accelerate at lights is because they are frequently driven by cautious people.
Probably due to its other distractions, General Motors has been slow to accelerate the number of XM radios it builds into cars, but now, in its seventh model year, it too will feature them in nearly 44% of vehicles this year.
Diesel engines designed to pull many tons are always a bit slow to accelerate, but we got a chance to experience firsthand the benefit of hybrid technology when we test-drove a hybrid dump truck that Mack Trucks, a member of the Volvo Group, will soon deliver to the U.S. Army's Aberdeen Proving Grounds.
Comparison of Aswitched@ groups (CC vs CB and BB vs BC) showed a trend to slow or to accelerate the MI expansion depending on addition or removal of blueberry, respectively; however the ANOVA derived group x time interaction approached significance (p<0.07) only for the comparison between BB and BC groups, i.e., removal of blueberry from the diet after MI induction accelerated the MI expansion.
It's a slow roll, about to accelerate.
The slowing economy is helping to accelerate the adoption of so-called collaborative commerce across a wide spectrum of industries, a study by Deloitte Consulting shows.
By this measure, Iran is closer than ever to a nuclear weapon and its nuclear enrichment program has not been slowed but, rather, continues to accelerate.
Hence, the model introduces a new set of simple rules to change the speed of vehicles that incorporates three important thresholds required by the follower vehicle to accelerate, slow down or maintain its speed.
Jean Cocteau's "Orpheus," from 1950 (at Anthology Film Archives May 19-20), is a magical feast made at a time when magic was produced by nothing more than the malleability of the human body and by the (now peculiar) properties of the film medium, with its twenty-four shots shotakenken per second, which allowed directors to accelerate, slow, or reverse motion.
By David Denby Jean Cocteau's "Orpheus," from 1950 (at Anthology Film Archives May 19-20), is a magical feast made at a time when magic was produced by nothing more than the malleability of the human body and by the (now peculiar) properties of the film medium, with its twenty-four shots shotakenken per second, which allowed directors to accelerate, slow, or reverse motion.
