In stained glass, the scratching is done through a top layer of coloured glass, revealing clear glass beneath; in pottery the pattern is incised through a white or coloured slip (mixture of clay and water washed over the vessel before firing), revealing the body colour beneath.
Both pottery and textiles range from the everyday to elaborately decorated forms that are often symbolic or highly pictorial; even common examples are typically ornamented with design in a simple slip (a mixture of clay and water) or a woven band.
The pale background of the ware was achieved by applying a coating of slip (semiliquid clay) to the body of the vessel before firing.
Paint with a layer of "slip" (clay mixed with water to the consistency of thick paint).
Across the room, Tomoko Amaki Abe's V-shaped installation, "Gauze Fall," was cast using shreds of gauze dipped into slip, a liquid form of clay, fired and arranged on the wall like cascading brush strokes.
The experiments and the model offer rational methods for examination of the basic physical chemistry and its physical consequences and also of analogous and practically important cases in management of filtration, of slip casting and the use of clay liners to retention ponds containing noxious and toxic effluents.
The hamon is created by applying clay slip of different densities to both sides of the blade just before it is quenched — dipped in water — at the end of the forging process.
Combined with the celadon glaze is the innovative Chosŏn surface decoration, which includes inlaying, stamping, incising, sgraffito, and the application of a white slip (liquid clay) beneath the final coating of transparent glaze.
They work by pouring a mixture of clay and water, called slip, into them and letting the clay set into the shape.
Get both sides wet with a mixture of clay and water (called slip) and stick them together firmly.
