Sentence examples for slashing lines from inspiring English sources

Elsewhere, scratchy, slashing lines pin down the contours of fleshy prostitutes with grave, swollen faces.

Her compositions are based on drawings of various weather conditions off the coast of Ireland, and are most convincing when seas are becalmed, and the marks meander, least when Turneresque storms of slashing lines prevail.

Choreographers should have the freedom to call dances anything they choose, just as abstract painters have been known to give canvases with slashing lines and vibrant colors such noncommittal titles as "No.

Her spirited brush work creates a sense of gesture and movement that is almost comical, as if a Lilliputian artist of overweaning ambition were rushing about, dispensing profusions of feathery curls and slashing lines of paint.

His vignettes are cartoonlike in their simplicity, but with words as primary colors and slashing lines, they need only a touch more ruthlessness to suggest an underground comic or, as we now call them, a graphic novel.

Consider the symmetry of "Mechanic at Steam Pump in Electric Power House" (1920) which captures America's growing industrial might; the slashing lines of "Icarus Atop Empire State Building" (1931), where a worker confidently hangs onto a cable; or the seemingly infinite perspective of "Street Scene, New York City" (1910).

There is one slashing line in "My Bright Abyss" that will sing to both Hitchens's readers and Mr. Wiman's.

Dashed lines represent reconstruction, slash lines represent damage, black fills represent voids within the sacrum, and grey fills represent matrix.

If there is a sense of mismatch here, it rises from the coupling of body and head; because of Motion Capture, Karas and the women stalk through the film with feline ease, but their features are so whittled as to be inexpressive — sometimes no more than a few slashed lines for cheekbones, collarbones, nose, and mouth.

If there is a sense of mismatch here, it rises from the coupling of body and head; because of Motion Capture, Karas and the women stalk through the film with feline ease, but their features are so whittled as to be inexpressive sometimes no more than a few slashed lines for cheekbones, collarbones, nose, and mouth.

The standard shape is a square on top of the loaf, but you can do an X on top, slash lines, etc.