The phrase "singular individual" is grammatically correct and can be used in written English.
It is used to describe a person who stands out or is unique in some way. Here is an example: She was a singular individual, with her bright blue hair and eccentric fashion sense.
A singular individual, he has lived life, as he puts it, 'on the wrong end of the seesaw'.
It's Jean Prouvé at The Design Museum: the first exhibition of this singular individual with a line so hard it makes Le Corbusier appear an effeminate dilettante.
He admits to his vulnerability, that he is a singular individual who wanted often simply to escape cricket and cricket talk.
So the stuff making up a c is not a singular individual or composed of singular entities.
According to Mill, typical singular (individual) names such as 'Scott' denote their referents but lack any connotation, that is to say the names do not imply any attribute.
In this context, defining the perimeter of legitimacy of clinical psychology, a "fact" specifically psychological necessarily corresponds to an act which takes existence and feel like segment of a human drama, as an effective act of the singular individual.
Reading Walter Benjamin today, instantiating the you to whom he once appealed, what he once thought about the world now being thought by us, he emerges as the particular, singular, unique individual he was: in other words, as a human being.
They are singular individuals, controversial in some quarters, and they head the first black First Family.
"As I traveled from continent to continent," he writes, "my most recurring image would be one that Remington himself might have painted: singular individuals fronting dangerous and stupendous landscapes".
Paradoxically, for many British novelists, writing about "the way we live now" has invariably meant reaching back into the past so we are allowed to see that odd, singular individuals are acting from motives that have some larger significance.
It is easier, for the time being, to stick with what art is prone to do: focus on single images and singular individuals before they become multiplied by science and technology into something verging on the post-portrait condition.
