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Georg Nigl sings strongly as Lucifer while conveying his growing frustration.
The mezzo-soprano Renée Tatum sings strongly as the determined professional matchmaker.
Géraldine Chauvet does a nice turn as Beatrice's comically overprotective aunt Doña Rosa, and Federico Gallar sings strongly as Giorgio, Mario's good-natured boss at the post office.
Tomasz Konieczny sings strongly, with a snarl to the voice as appropriate, but Mr. Marelli errs centering on Rance at the end, who points a gun to his head as if suicide is next.
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Admittedly the orchestra was weak, but the chorus sang strongly.
Gong Dongjian and Yang Guang sang strongly as Charlie and his wife.
Brian Wahlstrom, charismatic as a silent Devil in "El Amor Brujo," sang strongly as Carmela's brother.
John Elwes sang strongly as Acis despite an occasional graininess to his tone.
The bass-baritone David Pittsinger, singing strongly as the political prisoner Angelotti, might have done better as Scarpia.
The Bard Festival Chorale sang strongly in both works, joined by Ms. Kuznetsova in the Dukelsky piece.
William Joyner was slightly less so as Don José, singing strongly but giving way too readily to a faint, sobbing quality.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com