Glacier forefields are dynamic environments dominated by active paraglacial processes and simultaneous vegetation succession, triggered by glacier retreat since the Little Ice Age.
Brentano and Husserl both subscribed to The Principle of Simultaneous Awareness (PSA) 'No succession of awarenesses – no matter how close together in time they come – can, by itself, account for an awareness of succession; it must be the case that an awareness of succession derives from simultaneous features of the structure of that awareness' (Miller (1984: 1984.
The evocative dance begins at a kitchen table, when an argument between lovers caught in relationship limbo leaves the realm of language and breaks into a succession of simultaneous tortured movements.
Succession stopped at success.
Thus construed, perceptual moments are manifestly very different from the discrete specious presents of Bradley, Sprigge and Whitehead: the contents of the latter are typically not simultaneous, containing as they do phenomenal duration and succession.
It is ideal to take the two pictures simultaneously in order to perform the picture subtraction, but since capturing simultaneous images by light separation greatly complicates the system configuration, we took two images in succession in a short time.
A remarkable succession of altarpieces by Sienese painters testifies to the simultaneous work of a number of artists, some of whom possessed quite distinct personalities.
In most cases, multiple projections induced by high concentrations of α-factor are formed by a succession of polarized growth at new sites and not by simultaneous growth at several sites.
It's quite something to capture the poetic, poignant tone of the sequence in which Dr Manhattan retreats to Mars to ponder his destiny, a succession of moments jumbled into a jigsaw of quasi-simultaneous event.
Although in this last episode representations of a, b and c are experienced together with d, these tone-phases are not experienced as simultaneous – i.e., as a chord – rather, they are experienced as a succession.
But McEvilley, like Daniel Bell who no doubt turned his head, also saw the three modes of industry and expression as operating in the world not in mere succession to and displacement of one to the other, but as simultaneous and vitally symbiotic models in the evolution of art and industry.
