Sentence examples for silent thought from inspiring English sources

Once in a while, as in the Olivier film version of "Hamlet," a soliloquy is presented as silent thought and delivered via voice-over.

In Sonnet 30, "When to the sessions of sweet silent thought," a poem partly about the actions of memory that the poem's continued existence requires, I consistently replace the word "hid" with my own paler version, "lost".

In the opening section, devoted to the depredations of time, Ms. Parry and Mr. Pennington only minimally interact, as each ruminates in private on the persistence of regret ("When to the sessions of sweet silent thought") or the destructive force of time's inevitable passing ("When I have seen by Time's fell hand defaced").

His spoken reply is that he had "no vocation", but Dibdin then gives him a silent thought that anyone who has followed the character through 11 books is tempted to chisel in the memory as an epitaph: "But I do have a vocation... it's this stupid, meaningless, utterly compromised job that I try to do as well as I can".

This core principle must rest on some commitment to the primacy of the individual aspects of the human condition -- separate bodies, silent thought, etc. Otherwise it would be completely arbitrary, right?

Mr. Rosenbaum closed his program with Elliott Schwartz's vibrant and at times appealingly cacophonous "Two Watterson Poems" (2004), with light percussion accompaniment, and Steven R. Gerber's "Sessions of Sweet Silent Thought" (2003-4), a set of five richly harmonized settings of Shakespeare sonnets about love and death (mostly death).

Whatever silent thoughts he might have harboured about freeing his slaves never found their way into the record.

Jason said, as though he were commenting directly on my own silent thoughts: These people are worth remembering.

Robert Richenburg, one of these artists, is represented by "Silent Thoughts" from 1961, a brooding work that extends the collage conversation since it was made by ripping paper rather than applying pigment to the surface.

A type of offstage song called meriyasu may be used to reflect the silent thoughts of the stage character, while the call and response of occasional beats offstage of two ko-tsuzumi drums will place a scene in a mountain area with its echoes.

Dugan says that "no one has the right" to decode your silent thoughts, but the fact that's even something that has to be said says something scary about where technology is headed.