Sentence examples for side of tone from inspiring English sources

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The dorsal hippocampal surface (ipsi-lateral to the side of tone and air-puff delivery) was exposed through a craniotomy (2.0 mm posterior to bregma, 1.5 mm lateral to the mid-line [ipsi-lateral to the side of stimulus delivery]; diameter ∼ 1 1.5 mm) after gently aspirating away over-lying cortex to expose the external capsule (Dombeck et al., 2007).

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Her reading of the Schnittke Sonata No. 1 showed that the deeper side of her tone in the Grieg was by no means as deep as she goes.

In the final two movements she demonstrated both the brighter side of her tone and a livelier technique, returning to the textured, throaty sound of the first movement only in the final pages.

Santangelo, Olivetti Belardinelli, and Spence (2007) found that the effects of auditory spatial cueing (measured by the RT to a white noise presented on the same or the opposite side of a tone cue) were reduced when participants performed a demanding visual task (monitoring for digits among letters in a rapid stream), as compared to when participants were just performing the auditory cuing task.

He heard both sides of her tone and calmed down as readily as he'd angered.

Elsewhere in the country, students usually danced to records, but in Athens it was a matter of pride to dance to young local bands such as the Side Effects, the Tone Tones, the Method Actors, Pylon, Love Tractor, and the Brains.

That said, Pergolesi's "Se tu m'ami" refreshed a listener's memory of the sweeter and deeper side of Ms. Gens's tone, and she brought some attractive ornamentation to "Mio caro bene" from Handel's "Rodelinda".

In his introduction, Vartanian warns that the popular understanding of these books has too often been reduced to a single shorthand aesthetic, "a blur of high contrast images bled on all sides and predominated by islands of tone on the printed page".

Placing dark tones on 1 side of the room and placing lighter tones on the other will lead to an unappealing imbalance.

Riding on a slow-motion bounce that never took flight, the opening number, "On the Sunny Side of the Street," established the tone of a set in which personal expression was subjugated to a formal but staid notion of what a serious jazz quartet ought to be.

It shows in 6 cells the monaural EPSP rate as a function of tone frequency for both sides.

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