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Why should Writer X get so much attention, when the equally accomplished Writer Y gets next to none?
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Should writers do the same?
Should writers avoid buying into that?
Should writers and editors make themselves the story?
Bellow himself wondered: "Why should writers wish to be rated -- seeded -- like tennis players?
Question: Should writers show off their erudition by deliberately using unfamiliar words on occasion?
But why should writers, faceless and largely unknown, suffer the same indignity?
· How much should writers be paid when their books are read in digital form?
Should writers be allowed to pass judgment on peers the way they have always done offline or are they competitors whose reviews should be banned?
These men are not going to stop putting forth their version of truth in the media, so why should writers and performers hold back?
Why should writers who have each other's best interests at heart not be the best critics, or the most understanding domestic support?
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com