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It's certainly less useful/interesting than the Cine Shot bit we wrote about earlier this week.
The story of a boy growing up, directed by Richard Linklater, which was shot, bit by bit, over a 12-year period.
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After a while you begin to wonder if the director cheated and, instead of actually filming whole action sequences, shot bits and pieces and spliced them together.
The cortege paused first in bright sunshine for a private service at Fenn Lane, a farm identified from the scattering of artillery shot, bits of broken horse harness and weaponry, as the place where Richard probably lost his horse, his helmet and his life in the last hour of the Battle of Bosworth.
There were interior and exterior shots, bits of montage, jokes on flatness and depth, and still and moving images — often all at once.
Every offhand remark, every reaction shot, every bit of physical business communicated something (usually something funny).
But the manner of his departure, with a shot every bit as self-indulgent as that played by his nemesis Kevin Pietersen in Perth, left a sour taste.
But this orientation is just odd and makes framing a shot a bit more difficult than necessary.
"I'd trained to shoot that last shot a bit quicker than I normally would, because I knew the crowd was going to react - in China, shooting is a big sport.
This will help if you have noticed the shot a bit too late and you are in a rush to prevent yourself from getting wet.
So that's his credibility shot to bits for ever.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com