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THE TRAIN In shooting the train sequences Mr. Jones was inspired by a director who was no stranger to a train himself: Alfred Hitchcock.
His Broadway productions of 1962 and 1963 flopped, and only a week or two into shooting The Train, Burt Lancaster, for undisclosed reasons, insisted that he be taken off the film.
Michael Lantieri, mechanical effects supervisor for the 1912 scenes, noted the difficulty in shooting the train sequence.
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He had gone to Staunton, Va., in 1955 on a commercial assignment to photograph modern comforts — air-conditioners — when he started shooting the trains of the Norfolk & Western Line.
At Jerome Avenue and Fulton Street, two blocks from where Soribel was shot, the J train stops on its way through Brooklyn and into Manhattan, and drug dealers congregate, residents and police officers said.
At one point, in an attempt to hit an emergency stop button, the police actually shoot at the train, firing in frenzied futility.
First they shoot at the train, and then they turn around and fly over the town.
After Mr. Williams shot up the training room a first time, he walked onto the factory floor, where he killed three people and wounded two, said Sheriff Billy Sollie of Lauderdale County.
"You can't get on here," he said, shooting off into the train and leaving me open-mouthed.
But then CBS needed him for a photo shoot and the train schedule didn't work, so CBS rented Dolly Parton's tour bus for him.
"I'm going to shoot the next photos at a train yard in Queens," said Ms. Rowe, 19, a clerk at an all-night music store in the East Village.
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