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I've never spoken to a living American composer who felt sufficiently recognized, however much he or she was performed, discussed and argued about.
She was performed by Agata Kulesza as a mixture of life-force and death-wish, and I have a hard time convincing myself that she did not — and somehow still does not — exist, stamped into the hard metal of history like a hallmark.
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She was performing on board.
She was performing for him now that she was safe.
By 13, she was performing with the Folies Bergère.
By 1955 she was performing in Balanchine's "Nutcracker".
But a week later she felt that she was performing at a new level.
At one point when she was performing with Dorsey, she remembered, Sinatra saved her life.
"The heart is not always a safe guide," except, one might suggest, when she was performing.
By the late 1930's she was performing with the group on records, radio shows and stages.
By the age of fifteen, she was performing on local television.
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