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Warm, lively, boundlessly intelligent, she talks for Wales – in every sense.
That's why Gemma is so brilliant, because she talks for me.
She talks for more than three hours, weeps several times, and once or twice I'm almost moved to tears myself.
She talks, for example, about the inflatable cushions Sulla, the first-century-BC Roman dictator, gave his guests at dinner, and how he let the air out and watched them sink.
Given that she has self-deprecation down to a fine art – she talks, for example, about having felt like "a freak and a failure" in a particularly strong year for women at Rada – Peake thought that she'd never pass as a barrister's wife who fatally stabs her husband.
When she talks about art and culture -- when she talks, for example, about the essay on David Bowie she has written for an exhibition of his costumes at the V&A in London next year, or about work she's planning on Native American art - she sounds like someone in the first flush of love.
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She talked for several minutes more, clearly still grieving.
When it was Mrs. Romney's turn, she talked for less than a minute.
She talked for an hour and a half, without pause, without my input.
She talked for several minutes as she delivered an answer that did not easily fit into a sound bite.
She talked, for instance, about pushing for legislation that would require utility wires in flood-prone areas to be buried underground.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com