She poses, one arm resting on a mantelpiece, the other hand clutching a Japanese fan below her waist, her wistful expression reflected in the mantel mirror, her long red hair flowing loose.
She posed on her luggage and held forth on the differences between city and country.
After her speech, she posed on stage with her cabinet ministers and other delegates, singing along as the national anthem played at the close.
And she posed on the cover of AvidGolfer magazine wrapped — barely — in the red, white and blue colors of the American flag.
I had seen pictures of the house my stepmother owned; my father and she posed on the white painted concrete of the front porch when they were married in the mid '90s.
It's a humongous time warp of more than 450 paintings, sculptures, drawings, photographs, videos, posters, ephemera and things in between by artists, writers, performers, musicians and maestros of mixed media, from a photograph of the transvestite Candy Darling as she posed on her deathbed to a small, painted sculpture made of elephant dung by David Hammons.
It's a humongous time warp of more than 450 paintings, sculptures, drawings, photographs, videos, posters, ephemera and things in between by artists, writers, performers, musicians and maestros of mixed media, from a photograph of the transvestite Candy Darling as she posed on her death bed to a small, painted sculpture made of elephant dung by David Hammons.
She posed on the stairs before reaching the microphone to sing "Dress You Up".
