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See how she is drawn with one unbroken line.
She is drawn to women who are old-fashioned.
Against her (apparently) better judgment, she is drawn to him.
She is drawn to Rodin's maquettes, or the smaller models on which larger sculptures were based.
As Paloma tiptoes around these two, she is drawn to their quirky personal authenticity.
She is drawn to the worldly ego, with its irreligious experiences and unforgivable sins.
Just as frequently she is drawn to signs, à la Walker Evans.
At the shelter she is drawn to an older woman who later disappears.
Silently, she is drawn to his words, as are we to her.
She is drawn "to stuff that uses the waist, just because I have a British figure".
Lillian cannot quite believe his ardor, but she is drawn by his romantic nature.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com