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While she experimented on a few occasions, her dislike of the experience and positive family influences were reportedly central to her decision not to smoke.
She experimented with lipstick.
She experimented with whatever was in season.
She experimented with alternative medicine, spiritualism and Buddhism.
In the meantime, she experimented with installations, sculpture, and video.
Initially, though, she experimented with sound and with confrontation.
In 1969 she experimented with soft figures that she made on an old Singer sewing machine.
In the final decades of her life she experimented with textiles and installation.
At her gallery, she experimented with different ways of exhibiting garments.
She experimented with glazes, plaster of Paris and wax, detailing here, sanding there.
Others were more formal and detail-driven, as she experimented with portraits and still lifes.
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