In those heady days, as Louba recalled, no notion was too outlandish, impractical or extravagant to find its way onto the runways, not the silk and raffia stems she incorporated into Mr. Lacroix's designs, nor the gorilla fur favored by Mr. Mugler, with whom she collaborated for a time.
In 2009, she collaborated for the ninth time with Yash Raj Films on Dil Bole Hadippa!, a romantic comedy opposite Shahid Kapoor.
But she said that even for her, working with Mr. Scorsese, with whom she has collaborated for most of her career, still serves as an education.
She reached out to Ms. Parks because she is a longtime fan of her writing, she said, and she had successfully collaborated for over a decade with Ms. Murray, who won Obie awards for her scores of "Running Man" and "Eli's Comin'.
In 2002, she collaborated with Tara Subkoff for the 2003 Imitation of Christ collection in New York City, serving as creative director for the series, which was referred to as being "more about performance art and cultural theory than clothes".
She collaborated with Saif Ali Khan for the fourth time (alongside John Abraham, Jacqueline Fernandez, Ameesha Patel, and Anil Kapoor) in Abbas-Mustan's Race 2, an ensemble action thriller that served as a sequel to the 2008 film Race.
In the 1980's, she collaborated on the design for South Cove, a three-acre section of the waterfront in Battery Park City.
Her voice turned up on hip-hop albums by the Black-Eyed Peas and Common; she collaborated on two songs for Fatboy Slim's "Between the Gutter and the Stars" and had a small role in the movie "Training Day".
Realizing that the stage theory had grown into a restrictive prescription for grief, she collaborated with David Kessler, a hospice expert, to write "On Grief and Grieving".
The Mrs. Carter Show World Tour featured royal themes with the singer emulating different queens through her fashion for which she collaborated with numerous designers and fashion houses.
In 2007, she collaborated with Topshop on a line for which she was reportedly paid £3m.
