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She captures and buries alive three land turtles.
She captures Drew Pearson's "aristocratic face and bristly mustache".
She captures the darkness at the heart of any being.
What's more, she captures his energy and enthusiasm.
Anybody she captures is rendered temporarily incapable of lying.
She captures Joyce's characters, but always returns to his river.
I especially like the way she captures the egret's stealthy motion in the second stanza.
Steadily, incrementally, she captures the fatherless Minnie's passage from infatuation with Monroe to self-awareness.
Without overselling Adelaide's desperation or her dopiness, she captures both the role's poignance and its piquancy.
"She captures the whole work-life balance my mother had to navigate," Motley says.
But what she captures above all is Corrie's boundless curiosity, nomadic spirit and rage against injustice.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com