Sentence examples for shared repertory from inspiring English sources

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Through the absent Mr. Rosenwinkel, there was a bit of shared repertory.

Prism and Music From China toured together in 2009 and documented their shared repertory with "Antiphony," a noteworthy album on the Innova label.

The best santeros, or santos carvers, were self-taught rural artisans with a shared repertory of abstract forms -- inverted cones, hollow shells, barrels and cubes -- and colors collectively used to designate certain figures, like Jesus, Mary, St. Anthony of Padua and St. Ursula and her noblewomen.

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Traces of these histories linger today in a shared culinary repertory that will find you eating roti in India and Malaysia; in the synagogue, churches, mosques and monasteries that jostle for space in Yangon; or in the colorful South Indian temples of Singapore.

Sharing the repertory this summer with "Othello" on the National's capacious Olivier stage has been the director Rufus Norris's compassionate revisiting of "The Amen Corner".

By the time she left, in 1935, to form with Dolin their own company to pioneer ballet throughout Britain, there were young dancers capable of sharing her repertory and she had inspired, above all, Margot Fonteyn.

Her old and new repertories shared her program at Town Hall on Friday night, and Ms. Lemper pounced on every song as both singer and actress.

Mr. Gilbert, who spoke in a conference call with Mr. Parr, said he and Mr. VanBesien had talked about repertory and shared an interest in presenting a "wide range of music," without going into specifics.

Among other notable joint projects are "The Winter's Tale," at the McCarter Theater Center in Princeton, done with the Shakespeare Theater Company in Washington, and George Street Playhouse's "Good People" by David Lindsay-Abaire, shared with the Seattle Repertory Theater.

"After the Revolution" and "4000 Miles" which set off glowing notices when they received Off-Broadway productions in 2010 and 2011, respectively, will be performed in repertory with shared casts.

Frequently her dancing has more color than several more conventionally proportioned women who share the same repertory, and there are roles — the soloist in the first movement of "Brahms-Schoenberg Quartet," for example — in which her incisive force seems definitive.

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