"September Midnight" By Sara Teasdale Lyric night of the lingering Indian summer, Shadowy fields that are scentless but full of singing, Never a bird, but the passionless chant of insects, Ceaseless, insistent.
Rendell's love life has always been a shadowy subject.
Around the corner in the shadowy walled domain of Strawberry Field, a former Salvation Army children's home, the young John once acted out his Lewis Carroll fantasies climbing trees.
Kepler has been described "as the last exponent of a form of mathematical cosmology that can be traced back to the shadowy figure of Pythagoras" (Field 1988, 170).
The moon was up, and the fields were shadowy blue, dotted with cows.
No one tops Seurat, whose peerless drawings on textured paper (there are two in the show) create silent fields of shadowy shapes, oblique and exquisite.
Gothic performs this work through returning us to other, less palpable fears, the atavistic mind caught by images of dread or doom: a shadowy staircase; the playing fields at dusk; a discarded doll; the silence in an attic room.
Another animal appears as a large mass of dark brown in a golden field scattered with shadowy trees.
It's just a shadowy smudge on an abstract gold field in a diptych by Noah Davis, and absent altogether in abstract paintings by Kianja Strobert, Sienna Shields and Brenna Youngblood.
The creative fields have long had their shadowy practitioners, figures whose identities, whether because of scandalous content (the author of "Story of O"), fear of ostracism (Joe Klein), aversion to nepotism (Stephen King's son Joe Hill), or conceptual necessity (Sacha Baron Cohen), remain, at least for a time, unknown.
