Thanksgiving weekend also offers "Fairy Tale Shadow Plays," Friday through Sunday at 2 45 and 3 45 p.m., a workshop for ages 7 and older in which children will learn about an early form of animation — shadow puppets — and create their own designs for a group performance of a fairy tale.
A decade ago Disney's animation studio was struggling mightily in the computerized shadow of Pixar and DreamWorks Animation.
There delicate moments of shadow play and animation drifted past or lingered: birds, larger than life, rose and fell, lifting off with the sweep of majestic wings.
His latest animation, A Shadow of Blue, uses stop-motion and computer imagery to deliver the stunning tale of a little girl creating her own fantasy world amongst the shadows because the real world isn't quite living up to her expectations.
Lots of solid colors, lots of shadows and other things that suggest depth, and lots of animation.
Walt Disney Animation Studios has produced animated features in a series of animation techniques, including traditional animation, computer animation, and animation combined with live action scenes.
Since then she's translated this aesthetic to the diverse media of animations, shadow puppets and "magic lanterns".
The design involves a lot of solid flat colors, shadows and other things that suggest depth, as well as lots of animation.
He is the author of books on early French filmmaker Emile Cohl, on the transition from silent cinema to the talkies, and two landmark monographs on animation: Before Mickey: The Animated Film, 1898-1928, and Shadow of a Mouse: Performance, Belief, and World-Making in Animation.
In the shadow of Walt Disney's legacy, Disneyland, the Frida Cinema in Santa Ana is introducing Orange County moviegoers to a different brand of animation — Studio Ghibli.
The division that was once the hallmark of the company's identity, the animation studio, is a shadow of the powerhouse it once was.
