Sentence examples for settings of the work from inspiring English sources

She was known in particular for her expressive interpretations of songs of love -- ill-fated love, unrequited love, everlasting love -- many of which were settings of the work of the renowned Persian lyric poets of the Middle Ages and afterward.

And the unperformable "Penis Poems" are all settings of the works of legitimate poets, from Rumi to Ginsberg.

Although Willaert's settings of the works of the 14th-century Italian poet Petrarch and other serious Renaissance poets maintain an invariably high contrapuntal interest and are frequently suitable for choral performance, his compositions in the lighter, more homophonic vein, are well worth acquaintance.

It is doubtful that Claudio Monteverdi knew the work of Shakespeare, yet his last opera, L'Incoronazione di Poppea (1643), is arguably closer to Antony and Cleopatra than are the settings of that work by Gian Francesco Malipiero (1938) or Samuel Barber (1966).

The consequence has been that not only are social workers no longer called social workers in their new settings, but some of the work previously only carried out by fully qualified social work professionals is now being done by unqualified staff.

Much of the responsibility for the epidemic of photos depicting the world's wealthiest people in absurd clothing or settings is the work of ruthless photographers who like nothing better than to make their subjects look like idiots.

One of its outstanding practitioners was Barry Unsworth, the settings of whose works range from the Ottoman Empire (Pascali's Island [1980], The Rage of the Vulture [1982]) to Venice in its imperial prime and its decadence (Stone Virgin [1985]) and northern England in the 14th century (Morality Play [1995]).

The inter-war period sits between the settings of Waters' previous work – her first three novels were set in the 19th century, the last two immediately after the Second World War.

While such interruptions were not limited to primary care settings, they affected the work of healthcare workers (HCW) such as nurses and pharmacists [ 5– 8].

In order to normalise 'clinical governance in mental health' in primary care settings, the work of primary care mental health' (which emerged as a second 'object' in the analysis) must also be normalised.

For some instances of just how good Barbara Bonney was throughout her recital of American songs at Carnegie Hall on Thursday evening, take "Why Do They Shut Me Out of Heaven?" from Copland's sequence of 12 Emily Dickinson settings, the work that occupied the program's second half.